Skip to content
Prestige TapisBruxelles
Call +32 478 05 84 84Free valuation

Persian and oriental rug buying

Tabriz, Kashan, Heriz, Bidjar, Bukhara: origin is read from the back and in the design, never from a label. We buy hand-knotted rugs from Iran, Turkey, the Caucasus and Afghanistan, and we tell you what we see before we name a price.

Persian and oriental rug buying — Prestige Tapis Bruxelles

The back tells you everything

Turn the rug over. On a hand-knotted piece, the design on the face is found in full on the back, knot by knot, with the irregularities of a human hand. On a machine-made rug, the back is smooth and regular, often hidden by a glued-on backing cloth. That is the first sort, and it governs everything else.

Next comes density. A square one decimetre a side is enough: up to 10,000 knots the piece is excellent, around 2,500 it is average, towards 500 it is low. The Persian scale, for its part, counts in raj, one unit being six knots per linear centimetre.

Then the knot itself. The senneh, asymmetric, wraps one warp thread completely and the next only halfway: it allows a very fine design, and it is the knot of Persia. The ghiordes, symmetric, wraps both threads and gives a harder-wearing pile: Turkey, the Caucasus. The jofti, tied over two warp threads at once, saves wool and time, and shows on the back.

Large red rug with a central medallion, laid out whole on the work floor
WorkshopLarge red rug with a central medallion, laid out whole on the work floor

Recognising the origin

Iran first, because it is the market's reference. Tabriz: central medallion, quarter-medallions in the corners, interlaced scrolling vines. Kashan: silk, hunting scenes. Herat: a red field of interlaced vine stems and palmettes. Kerman: the vase technique. Heriz: a geometricised, angular medallion. Qom: small formats, very fine, often in silk. Bidjar: so dense and so heavy that it is called the iron rug. Baluch: small dark formats, midnight blue and red-brown.

Turkey knots in ghiordes, on a more robust pile, often as a prayer niche. Hereke there denotes fine silk at very high density, a name that counts in Belgium. The Caucasus gives vivid geometric motifs, sharp contrasts, stepped medallions, no floral curves, small to medium formats. Afghanistan and Turkmenistan cover a brick-red field with guls, those octagonal medallions repeated in staggered rows: the Bukhara rugs sold in Belgium come from this family.

China is recognisable by a restrained palette, blue and ivory or pink and cream, by isolated motifs on a plain ground and by a pile often carved in relief around the design, for a lower density. The kilim has no pile at all: flat-woven, reversible, identical on both sides, slit vertically where the wefts turn back between two blocks of colour.

Persian or Indo-Persian: we say so

A large share of the rugs sold in Belgium in the 1970s and 1980s are Indian or Pakistani productions copying Persian designs: Indo-Tabriz, Indo-Kashan. The knot is often senneh, the wool sound, the design faithful, and the value markedly lower than that of the original.

We tell you before we make an offer, not after. A seller who is told from the outset that he holds a copy is no longer in a position to be misled: it is the only way to make an offer verifiable. Frankness works the other way round too, and it happens that we single out a piece its owner thought worthless.

Large blue-field rug spread flat on the wash floor
DetailLarge blue-field rug spread flat on the wash floor

Worn, moth-eaten, faded: do not throw it away

The moth does not eat the rug: it eats the keratin in the wool. The cotton warp and weft remain intact, and that is why a moth-eaten area is re-knotted instead of being replaced. A rug that has been eaten therefore keeps its origin, its density and its age, that is to say the essentials of what makes its price.

The same goes for dye bleed, a torn-off fringe, a run selvedge or a pile faded by the sun. These faults can be costed, they are deducted from the offer, they do not cancel it. The one-third rule serves as a marker: when the restoration exceeds a third of the market value, it ceases to be economically defensible. But the piece itself always sells, and it is we who carry the restoration after the purchase.

Valuation and payment

Send three photographs, face, back and a close-up of the knotting, with the exact dimensions in centimetres, measured excluding the fringes. You receive a costed price range within 48 working hours, confirmed or adjusted in front of you at the physical examination. The visit is free and without obligation.

Payment is made on the day of collection: cash up to €3,000, instant transfer or banker's draft above that, the same day. That is the Belgian legal limit on any cash payment, set by article 67 of the Act of 18 September 2017 on the prevention of money laundering. Collection is free and you keep an itemised receipt.

Frequently asked questions

Frequently asked questions

How do I know whether my rug is really Persian?

From the back, not from the label. A Persian rug is hand-knotted, most often with the asymmetric senneh knot, on a cotton warp and weft, and its design reads as clearly on the back as on the face. The name of the production centre is then deduced from the design: a medallion with quarter-corners for a Tabriz, density and weight for a Bidjar, format and fineness for a Qom.

Should the rug be cleaned before selling it?

No, and it is in fact inadvisable. A domestic wash or a fitted-carpet shampoo makes the vegetable reds bleed and leaves watermarks that nothing puts right. Dust costs nothing to remove; a colour that has run cannot be recovered. Show the rug as it is: we wash it ourselves after the purchase.

Do you buy kilims?

Yes. A kilim is flat-woven, with no knot and no pile, reversible, with vertical slits where the wefts turn back between two blocks of colour. Its value lies in the design, the age, the fineness of the weave and the quality of the dyes, not in a knot density that does not exist.

My rug is over four metres. Is that an advantage?

Two effects pull against each other. A large format took more material and a great deal more work, which pushes the value up. But very large formats sell poorly today: few interiors take them, and the time to resale lengthens. We do take them, and the offer reflects both.

Request a valuation

Three photos and two measurements are enough for a first written figure.

Answer within 48 working hours. No obligation, no call-out fee.

Photos cannot go through this form: send them to prestigetapisbruxelles@gmail.com

Or call us directly on +32 478 05 84 84

Free valuation

Three photos are enough to start.

The front, the back, a close-up of the knotting. You get a written figure within 48 working hours, with no obligation and no call-out fee.

Answer within 48 working hours. No obligation, no call-out fee.

Call +32 478 05 84 84Free valuation